Magdalena Frauenberg, installation view.
Magdalena Frauenberg, Carpeaux, L‘Amour Blessé +min-379 (1)+Peter Vischer König Arthus+watch_ stl(2), ausgeführt von einem CNC-Roboter, programmiert von David Ruprechter, 2024 / executed by a CNC Robot, programmed by David Ruprechter, 2024,
Magdalena Frauenberg, Marienetta Strozzi 3, 2024.
You Huize, installation view.
You Huize, Orlando, 2019.
Catherina Cramer, installation view.
Catherina Cramer, INSICKURE, 2024. (film still)
Bethan Hughes, installation view.
Bethan Hughes, An Elastic Continuum I - VII, 2022-25.
Sophie Schmidt, installation view.
Sandra Singh, VIRTUAL WAR (on Women), 2024- 25.
Bernice Nauta & G.C. Heemskerk, The Plantriarchy, 2024.
Bernice Nauta & G.C. Heemskerk, The Plantriarchy, 2024. (film still)
Lynne Gbodjrou Kouassi & Nora Heidorn, Naturkulturpolitik, 2023-25.
Herlinde Raeman, the mom/artist notebook, pt. 1, 2023.
Cordula Ditz, THEY SPEAK TO US IN DREAMS, 2024.
Cordula Ditz, THEY SPEAK TO US IN DREAMS, 2024. (film still)
Myrthe van der Mark, It, it is usual to add rose which is four rows. It is usual to add it. 2024–25 (performance)
Myrthe van der Mark, Harvesting bulbs. Growth of the soil. Just be water, my friend. [pensive orchestral music playing], 2025.
IKOB – Feminist Art Prize 2025
IKOB – Museum für Zeitgenössiche Kunst, 2025With works by Catherina Cramer, Cordula Ditz, Magdalena Frauenberg, Bethan Hughes, Myrthe van der Mark, Bernice Nauta & G.C. Heemskerk, Herlinde Raeman, Lynne Gbodjrou Kouassi & Nora Heidorn, Sophie Schmidt, Sandra Singh, Huize You.
To read my exhibition text “Sentimental Garbage”, click here.
To view and download publication designed by Éloïse Alliguié with my texts on each artist, click here.
Photography: Lola Pertsowsky