‘The whole desert is a pause’, catalogue text (DE/EN) for the publication “Veronika Eberhart: Garten sprengen” (Spector Books, 2024) [link to order publication]
‘Sorge Tragen’, catalogue text (DE/FR/EN) for the exhibition of the IKOB - Feminist Art Prize 2022.
Exhibition text for “Jack Otway: Bloom Inward” at Ginny on Frederick, London, 2021.
Exhibition text for group exhibition “1986” at Maruani Mercier, Brussels, 2020.
‘Articulating and Defending our Vulnerabilities: Interrogations of the Feminist Archive’, with Kiona Hagen Niehaus, Feminist Review, vol. 120, 1 Nov. 2018.
Exhibition review, “Ben Cain: Passive Imperative Participation Vibe“, WAL-NUT, Spring/Summer 2018 issue.
‘Seja marginal, seja herói’, in Jennifer Tee: Structures of Recollection and Perseverance. Published by Kunstraum, UK, 2017.
‘Exhibition review: Merike Estna, fragments from the shattered toe’, 2017, thisistomorrow.info, 21 November 2017.
‘On the Van Abbemuseum’s ‘DIY Archive’, in Trans_Disciplinary_Collaboration Exhibiting_Archives Re_staging Exhibitions. Published by Arts Catalyst, London, 2016.
Reviews of my projects
‘Dit is geen fontein’: Review of “The Fountain Show” by Geert van der Speeten in De Standaard Weekblad
‘Zo dochter, zo moeder – over tastbare artistieke erfenissen‘: Review of “All Our Yesterdays” by Helena Julian in Mister Motley
Review of “All Our Yesterdays” by Sophie Delhasse in Flux News
Review of “IKOB - Feminist Art Prize” by Jessica Gysel in Glean
‘The Weft of History’: Review of Kristina Benjocki at IKOB by Lucy Cotter in Metropolis M
‘Op eigen bodem’: Review of Francis Feidler at IKOB by Bas Blaasse in Glean
‘A new exhibition asks: Are we living in digitally-rendered cities?’: Review of “Rendered Cities” in The Architect’s Newspaper