Writing
‘Bottoms up: Anal Pompidou and satire as survival’, essay in Etcetera magazine, 2025. Also published in Arts of the Working Class.
‘Haar, hormonen en slijm’, profile of Marlie Mul in Metropolis M, Issue nr 5 okt-nov 2025.
Exhibition texts ‘Language / Balance / Competition / Strategy / Wisdom’ for the exhibition “Léon Wuidar: Um die Ecke”, 2025.
‘Sentimental Garbage’, exhibition text (EN/DE/FR, please read English original) for the IKOB – Feminist Art Prize 2025.
‘The whole desert is a pause’, catalogue text (DE/EN) for the publication Veronika Eberhart: Garten sprengen (Spector Books, 2024) [link to publication]
‘Sorge Tragen’, catalogue text (DE/FR/EN) for the exhibition of the IKOB - Feminist Art Prize 2022.
Exhibition text for “Jack Otway: Bloom Inward” at Ginny on Frederick, London, 2021.
Exhibition text for group exhibition “1986” at Maruani Mercier, Brussels, 2020.
‘Articulating and Defending our Vulnerabilities: Interrogations of the Feminist Archive’, with Kiona Hagen Niehaus, Feminist Review, vol. 120, 1 Nov. 2018.
Exhibition review, “Ben Cain: Passive Imperative Participation Vibe“, WAL-NUT, Spring/Summer 2018 issue.
‘Seja marginal, seja herói’, in Jennifer Tee: Structures of Recollection and Perseverance. Published by Kunstraum, UK, 2017.
‘Exhibition review: Merike Estna, fragments from the shattered toe’, 2017, thisistomorrow.info, 21 November 2017.
‘On the Van Abbemuseum’s ‘DIY Archive’, in Trans_Disciplinary_Collaboration Exhibiting_Archives Re_staging Exhibitions. Published by Arts Catalyst, London, 2016.
Reviews of my projects
‘Dit is geen fontein’: Review of “The Fountain Show” by Geert van der Speeten in De Standaard Weekblad
‘Zo dochter, zo moeder – over tastbare artistieke erfenissen‘: Review of “All Our Yesterdays” by Helena Julian in Mister Motley
Review of “All Our Yesterdays” by Sophie Delhasse in Flux News
Review of “IKOB - Feminist Art Prize” by Jessica Gysel in Glean
‘The Weft of History’: Review of Kristina Benjocki at IKOB by Lucy Cotter in Metropolis M
‘Op eigen bodem’: Review of Francis Feidler at IKOB by Bas Blaasse in Glean
‘A new exhibition asks: Are we living in digitally-rendered cities?’: Review of “Rendered Cities” in The Architect’s Newspaper